167022Eta
BEdT ID:
167,022
Melody Source:
Eta 089v
Troubadour:
Gaucelm Faidit
Attribution in Manuscript:
none
Standard Incipit:
Fortz cauza es que tot lo major dan
Incipit in Manuscript:
Fort chose est que tot le maur dam
Transcription Source:
image from color microfilm
Genre:
planh
Number of Phrases:
09
1--h--b-l--d
First Note:
A
Last Note:
D
Range:
B-D
Range Interval:
10
Melody:
1---h---h--h---h---f---hj---h---g--gf---ed---3---g---g---f--fe7---ed---e---f---edc---d---e--e---3---g---g---gf---ed7---e---f---edc--d---c---c--c---3---f--f---f7---gh---j---h---g--hj---g---f--ec--de---3---hj---hg---f7---d---f---g--h---g--g---k---jhg--jhg---3---e--d--de--g7--h--d---edc---b---cd--d---3---edc---c---fed--d---cbc7---e---e--e---e---c---d---cb---3---f---f---fe---dc---e7---g--g-h-j-h-g---f-e---d--d---3---j--j---j---j---k---jkl---h---fe--f---hjhg---fed---5
Editions:
Anglès Cantigas 1943-1958, III, pt.2, appendix 83; Bannister 1913 Tav. 100a (facs.); Beck La musique 1928, 92; Beck Melodien 1928, 190; Cuesta 275-279; Gennrich 1958-1965, No. 106; Maillard 1967, 18; Restori 1896, 256; Riemann 1904-1922,I/2 247; Sesini 1942, II 74; Van der Werf Extant, 115*- 123*
Comments:
This work has contrafact in several trouvère sources; E serventois, arriere t'en revas, Trouvère M 19b; Trouvère T (troubadour delta) 51v; Trouvère N 153d; Trouvère P 169a; Trouvère X 201d. This melody is problematic, as noted by Van der Werf. From his description, he worked from a copy of the folio published in Monumenti vaticani di paleografia musicale latina vol. 19 which showed the lines fairly clearly, allowing him to comment that they were not drawn with regularly spacing and were not always level across the page; beyond this, the notation itself did not fit clearly into spaces or on lines in every case. This version was also lacking the final notes of the melody as the notes disappear into the darkened bound edge of the folio.. (VWE 115-118) The microfilm image held by the University of Alabama, however, does show the final notes of the melody, so the melody is completed here. As Van der Werf notes, there is a false start to the melody: the first melodic phrase is given with the first verse, then the second verse is written directly under that without space for notation. The melody and text then begin again below that, with more text/notes on the system than in the first case. There is a slight difference in the notes and underlay, with the first melody beginning with 4 E's with the second word, "chose" divided into two syllables and the fourth word, "que" having two notes in the first version and one in the second. (the first of those notes could be an abbreviation mark technically?)
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